Guess what's back? BAD MOVIE WEDNESDAY!
I saw the trailed for Mel Gibson's upcoming epic crapfest Apocalypto, and it reminded me that Mel Gibson sucks.
Which reminded me of What Women Want.
Year: 2000
Directed By: Nancy Meyers (for the record, I really hated Father of the Bride. Like,
really hated).
Starring: Mel Gibson, Helen Hunt, Marisa Tomei, and, sadly, Alan Alda, who will always be cool in my books.
Tagline: He has the power to hear everything women are thinking. Finally... a man is listening.
Ok. This movie kind of went out of its way to warn you that it would be bad. So really it's my fault for saying 'Aw, it might be fun' and going anyway. This was, remember, pre-racist Gibson. But certainly post-cool Gibson (also called pre-Braveheart, which is not a good movie everyone). When I say 'cool Gibson,' I'm talking about The Year of Living Dangerously, Mad Max, and Maverick. So post-cool, pre-racist, but golden-era crazy self-indulgent fanatic Gibson.
This was also kind of the end of Helen Hunt's stint as a spotlight celebrity. Which is kinda too bad because I don't hate her.
So anyway, Mel Gibson stretches to play an egotistical, chauvenistic ass. He's an advertising big-shot. He is testing out some womens' products on himself, and gets electrocuted in the process. HE DOESN'T DIE! Instead he becomes gifted with the ability to hear womens' thoughts. All women. All the time.
And what are women thinking? Nothing much. Mostly they think about their hair or their weight or their boyfriends. Apparantly women also think in complete sentences too. It's a good thing he couldn't hear my thoughts because they would not have made for good soundbites for the trailer. It would have been a jumbled mash, which is really how people think.
But even putting that detail aside, this movie is useless. The humour is pretty much locked up in Mel Gibson saying and doing girly things. Always hilarious. You know, timeless humour like Gibson singing the chorus of Merideth Brooks' 'Bitch' song, but getting the words wrong! Or saying 'You go, Girl!' to his own reflection.
Really the root problem with this movie is that all that happens is a complete and utter asshole gets a power that allows him to get the girl, find happiness and become even more successful. What on earth is satisfying about that?!
Here is a way that this could have been a better movie. Maybe even a great movie:
Mel Gibson should have played himself. Then he would gain the same stupid power and he'd get to hear what women are thinking...about Mel Gibson! Fabulous! So post-modern it hurts! Oscars all around!
Instead...this movie is bad.